On the surface, the plot of this play seems promising, particularly at the beginning: a young man, Valentine, sets out in the world to seek his fortune and to find true love; meanwhile, his best friend, Proteus, remains at home to accomplish the same things. Most of all, the mastery which Shakespeare achieves in just a few years, when compared to his handling of this play, helps us to measure his genius. Valentine is headed toward enhance himself, wandering out to see the world, while Proteus remains home in Verona, tied by his adoration for. This scheme appeals to his grace, who minutely inquires what such a ladder may be, and where it can be procured. This is partly due to sixteenth- and seventeenth-century attitudes about gender. The critic Quiller-Couch is absolutely convinced that Shakespeare was not responsible for writing the play's ending with a sudden double wedding in the offing. On recovering his senses, the page exclaims he has been very remiss, for he has not yet delivered the ring which Proteus bade him give Silvia.
Almost immediately Valentine confesses that, whereas his friend's talk of love once bored him, he now cares to converse on no other subject, having himself become victim to the tender passion. Now, sir, this staff is my sister, for, look you, she is as white as a lily and as small as a wand. Meanwhile, Julia is hanging out with her woman in waiting, Lucetta. But, although every one else sheds plentiful tears at his going, he sorrowfully remarks his dog remained stolid throughout the farewell scenes, which he reproduces in pantomime. Ever read the famous essay? Why, do you not perceive the jest? We are thankful of their contributions and encourage you to make your own.
Then Valentine eloquently pleads in behalf of the outlaws, all of w r hom are pardoned and reinstated, after promising to become good citizens. Two Gentlemen of Verona is one of the least frequently staged Shakespeare plays, but it also happens to have inspired one of the greatest film adaptations of all time — the 1998 film , co-written by Tom Stoppard the guy responsible for. When Silvia has gone after this criticism, the servant remarks that the lady is teaching his master his duty, as she evidently expects him to write her a love-letter. At the very moment that Valentine calls Silvia mistress he says that he has written for her a letter - 'some lines to one she loves' - unto a 'secret nameless friend'; and what is still stronger evidence that the word 'servant' had not the full meaning of lover, but meant a much more general admirer, Valentine, introducing Proteus to Silvia, says, 'Sweet lady, entertain him To be my fellow-servant to your ladyship;' and Silvia, consenting, says to Proteus, 'Servant, you are welcome to a worthless mistress. When Sir Thurio promptly acquiesces, asseverating 'I hold him but a fool who will endanger his body for a girl that loves him not' this statement proves to the Duke that he is too much of a coward to strike a single blow to defend his claim to Silvia.
In his indignation at his daughter's escape, the Duke bids both young men accompany him in pursuit of the fugitives, whom he hopes to overtake before they cross the frontier. After an apology, Proteus and Valentine reconcile, Proteus loves his girlfriend again, and both couples marry. Then, as the servant, whose remarks exasperate her, is about to remove the offending paper, Julia suddenly snatches it and tears it to pieces, ordering Lucetta to leave the fragments on the ground. After pronouncing this stern decree the Duke departs, while Valentine wails that to leave Silvia is equivalent to death, and that no happiness remains to him on earth if he cannot see her. But, when Proteus attempts to lay forcible hands upon Silvia to bend her to his will, Valentine suddenly steps forward, bidding him desist, and reviling him for conduct he never would have credited.
This three-cornered, bitter-sweet conversation is interrupted by the arrival of the Duke, reporting news has just come from Valentine's father, announcing Proteus' speedy arrival. Now come I to my father: 'Father, your blessing. This conclusion pleases Valentine, who bestows his blessing upon the reunited lovers, just as the outlaws bring in the Duke and Sir Thurio, whom they have captured in the forest. Apparently, Julia wants to size up the competition in secret. Proteus, suddenly realizing his contemptible actions, repents and is forgiven.
Having surprised the outlaws leading Silvia away, Proteus has boldly rescued her, and is now claiming as reward some mark of her favour, which she still refuses to bestow upon him. Julia, in the mean time, asks her cleaning specialist, Lucetta, with which man she should begin to look all starry eyed at, and Lucetta prescribes Proteus. Silvia is still in love with banished Valentine, so she convinces her good friend Eglamour to help her find him — the two run off to the forest, where Silvia is kidnapped by the outlaws, who proceed to take her to their leader, Valentine. It is while he is conning this list, that Valentine's servant enters; so both men begin one of their sparring, punning conversations, in the course of which Valentine's man snatches the paper from his companion's hand and rattles off the lady's faults and virtues. In The Two Gentlemen of Verona, Shakespeare raises questions about the nature of friendship and romantic love, self-determination, and deception. Our point is this: Shakespeare's play is about love triangles and whether or not our friends deserve our loyalty more than our romantic partners.
When the page artlessly inquires whether the giver is dead, Proteus denies it; so the page pities the lady, hinting she may have loved him as passionately as he now loves Silvia, remarks to which Proteus pays no heed. He thus overhears Valentine explain that, although he has composed the required poem, it fails to satisfy him, adding that, had he addressed one he loved, he could have displayed far more eloquence. But in the Sonnets, Shakespeare was being serious. After much bickering, Julia tears up the letter, only to regret this act an instant later. If this isn't enough to make you want to check out Two Gentlemen of Verona, then try to think of it this way: Most people have felt torn between a romantic relationship and loyalty to friends at some point in their lives.
Apparently, Silvia does too, but we don't hear a peep out of her after Proteus's attempted rape. He professes to be angry enough to cast her off, consoling himself for her loss by marrying again. As Julia wonders why that is, Lucetta whips out a letter from Proteus and hands it over to Julia, who pretends she's too modest to read it. After some more conversation, devoted to feeding Sir Thurio's vanity, the Duke comes in, inquiring whether Sir Eglamour and his daughter have been seen. Act I This play opens in a square in Verona, where Valentine, talking to his friend Proteus, announces he is about to depart for Milan, where he would fain have his friend accompany him were not the latter Love's slave. These terms point out the condition of this benevolence, which was, that the beggars should pray for the souls of the giver's departed friends. The next scene is played in the palace, where Sir Thurio is questioning Proteus in regard to his prospects of winning Silvia.